Jing Wei is a Chinese-born illustrator and printmaker. She currently resides in Brooklyn, NY and works out of a studio in Greenpoint.

How old were you when first began dabbling in art? What medium did you begin with and do you have a favorite one that you use or a particularly favorite piece you’ve created?

I used to have a magnetic drawing board toy that I was obsessed with as a kid. Does that count as a medium? My favorite thing to draw was really generic looking fish. I’ve never made any great fish-related pieces in my adult life, but I did make a few collages recently that I was really happy with. That’s definitely my favorite medium right now.

What inspired Divers Journal? Was it originally contracted by a client?

I had originally created the sketch of that piece for a financial magazine, which is definitely not the first thing that comes to mind when you look at the image! The prompt had something to do with target-date investing. The sketch was rejected, but I was able to use a gallery show opportunity as motivation to resurrect it.

How does woodblock printing work—how do you create a woodblock print and how many prints can a typical press withstand?

I actually print everything by hand, though I would love to have a press in the studio. Right now I just use a bamboo disc baren to burnish the back of the paper, and finish it off with a bone folder. I use the reductive woodblock printing technique, which means I carve each layer from one piece of wood, as opposed to multiple. Basically, I print each layer of color from lightest to darkest, and carve the information away as I go. It’s a faster process and makes registration super easy, even though it limits the number of prints I can make.

Finally, do you have any sort of routine you go through when you’re having artist’s block?

I mostly get stuck on concept and ideas, in the sketch phase of a job. But I don’t really see that as having artist’s block, because there is a problem-solving aspect that is always very practical. Whenever I feel like I’m having trouble with an assignment, I just drop it for a while and go do something else that doesn’t require much brainpower. Watching music videos and eating snacks has consistently proven to be helpful in this department.

Leave a comment and you’ll be eligible to win the Divers Journals that we’ll be giving away to three randomly selected lucky persons (offer good in the US and Canada only).

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That One Time I Made Cheese.

Bonjour Mes Amis!

Have you missed me? M’avez-vous manquer? Fear not – for I have returned, for (sadly) the last installment of the Lexie/Rachel Project. If you are joining us for the first time, you may not know that I have been on a culinary journey of sorts with The Little Paris Kitchen as my guide. Think Julie/Julia but in a California set, awkward 20-something kinda way, ya dig? You can catch up by checking out my first and second adventures if you like.

Today will be about that one time I made Cheese.

No really, I did, for reals, make cheese. Why this seems magical to me, I’m not sure, but it is. Cheese is probably one of my favorite things ever. I have overpaid for cheese like I have for shoes, plane tickets, and anything else that is truly worth it in the end. I have always pictured the people who made cheese in cute little wooden cottages tucked away in the rolling hills of France, Italy, or Sonoma County (I mean, all San Franciscans have to buy local, right?!) speaking in hushed voices and passing down voodoo secrets which make the cheese taste so delicious. But it turns out, even I (and you! And you!) can be one of those gifted, charmed, cheese-making- people! Enter: Rachel Khoo.

And so it happened like this: as I was flipping through the pages of this lovely book trying to figure out what I wanted to write about next, I landed on the page of Fromage Frais and thought – “like that’s possible” only to read through the incredibly simple instructions below and then, MADE CHEESE. ME. I MADE CHEESE.

Fromage frais
Fresh cheese

Makes about 14 oz

Fromage frais has a smooth, creamy taste and a subtle acidic note, making it less smelly socks and more freshly washed white linen. Of course, an additional plus is that it’s low in fat and cholesterol, but that doesn’t mean it’s low in taste.

• 2 qt 2 percent or skimmed milk, preferably organic but not UHT or homogenized
• 1/2 cup plain live or probiotic yogurt, preferably organic
• juice of 1 lemon (6 tbsp)
• a pinch of salt or sugar
• 2 tbsp heavy cream (optional)

Pour the milk into a large pot. Heat very slowly, stirring gently, until it starts to steam and little bubbles form around the edge (it should not boil at any point). This should take about 20 minutes.

Allow to cool for a couple of minutes before stirring in the yogurt and lemon juice. Leave to sit undisturbed for a further 10 minutes. Return the pot to the heat and bring the milk to a boil. Once it separates into curds (the solids) and whey (the liquid), remove from the heat.

Line a fine-meshed sieve with cheesecloth or a clean tea towel. Place the sieve over a bowl and pour in the separated milk. Scrunch the cloth tightly immediately above the cheese, like making a money bag, and twist to squeeze out any excess liquid. Now tie the corners of the cloth together to form a hanging pouch and thread a wooden spoon through the loop. Hang the cheese over a large bowl or jug (don’t let it sit on the bottom), and refrigerate for 30 minutes or overnight. The longer the cheese hangs, the more the liquid will drip away and the drier the cheese will become.

To serve, twist the cloth as before to squeeze out any excess liquid, then remove the cheese from the cloth and season with salt or sugar. Serve as it comes for a firm version, or beat in a couple of tablespoons of heavy cream for a smoother, creamier cheese.

Serving ideas
Spread the cheese over a slice of toasted brioche or bread, then just let your imagination and taste buds get creative to sweeten or spice it up. These are some of my favorite flavorings.

Sweet: a drizzle of honey or maple syrup or a sprinkling of sugar can be quite sufficient. Or serve with fresh or stewed fruit (berries are especially good). For a crunch factor, try nuts or granola.

Savory: cracked black pepper, a pinch of chile, or freshly chopped herbs (chives, parsley, etc.)

Preparation time: 10 minutes
Cooking time: 25 minutes
Resting time: 30 minutes–overnight

How it went: I actually ended up making this at about 10pm on a school(work!) night. One of my roommates had a spontaneous dinner party earlier, and everyone was still gathered in the kitchen sipping on wine and nibbling at a cake when I realized that I needed to start the cheese so it could sit overnight.

So I followed the recipe to a T, not wanting to mess with science/voodoo cheese magical procedures, and in less than an hour I was draining the curds and whey (love that I just said that without first saying “little Miss Muffit, sat on a tuffet, eating her…”). Everyone knew I was making something for the Lexie/Rachel Project, but had no idea it was cheese until they saw me draining/tying the cheese cloth knot! Needless to say they were very impressed – I upped my DIY/organic San Francisco street cred by a few points and, as I put the hanging ball-o-cheese in the fridge, I felt incredibly accomplished!

Also, IT TASTED AMAZING. See below for a collection of pictures of the making process and my brave roommate Ellie building her English muffin breakfast this morning c/o the fresh cheese! Feel free to also indulge as we did with just the plain cheese and a bit of honey.

And so this lovely little adventure comes to an end in print, but not in life. I have cooked and will continue to cook many recipes from this little book and I encourage you whole-heartedly to as well. It’s a beautiful text that keeps it simple, so that anyone (no matter their culinary level) can enjoy the pleasures of delicious, fresh, French cuisine.

Jusqu’à ce que nous nous revoyions,

Lexie

Purchase: The Little Paris Kitchen: 120 Simple But Classic French Recipes.

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As I get ready to be a new mom (now T-minus 2 months), I find myself swimming in diaper decisions, car seat queries, and the like. There’s one pure delight amidst all the slogs through online round-ups and reviews, and that’s picking out what I’m going to read to the little tyke. I’ve always had a soft spot for vintage children’s books. Last year I blogged about late nineteenth century picture books, and lately I’ve been obsessed with children’s books from the 1950s and ‘60s, especially essentially plotless ones where the illustrations take center stage.

A Kiss is Round, from 1954, is a simple poem by Blossom Budney that lists a lot of round things, and it’s the perfect excuse for Vladimir Bobri’s exuberant drawings. I love his drawing style, with its fine black lines and large swathes of color.

The Quiet Noisy Book (1950), written by Margaret Wise Brown and illustrated by Leonard Weisgard, is a joyful exercise in midcentury design. Angular shapes and bold graphics make it a page-turner, as the text lists increasingly fanciful possibilities for what caused a noise.

My favorite recent find is Do You Hear What I Hear from 1960, written and illustrated by Helen Borten. Her illustrations, with their vibrant colors and dynamic layouts, are a perfect match for the text, which is a poetic exploration of sound.

What are your favorites from that era? Please mention any must-reads in the comments below.

Allison Weiner
Designer

The staff of Chronicle Books was so lucky to get to meet Ursus Wehrli, author of international bestseller The Art of Clean Up last month when he was in San Francisco as a presenter at the TYPO International Design Talk. His visit was a special occurrence, since Ursus, based in Zurich, has an incredibly busy year-round performance schedule.

Perhaps you saw this profile the New York Times featured about him in the Home & Garden section in March.

We invited Ursus to our offices so he could meet the team who’s been working quite successfully to spread the Art of Clean Up word throughout North America. Oh, and there was another motive: would Ursus be so kind as to perform his art of tidying up and organizing something of his choice at our work place?

We walked around perusing all the beautiful open workspaces we have here. Suddenly, he honed in on something a bit surprising, in light of all the piles of book proofs, contracts, journals, Boo and Maddie on Things standees, out-of-print titles, and boxes full of next season product advances throughout our four floors.

BOOK DUMMIES.

What are book dummies? Basically “mock” blank books used as reference that convey the true trim size, page count, and paper type for a potential book project.

Here are the results of Ursus’ concise, and very helpful bespoke Chronicle Books clean up. While walking through the Production Dept., he noticed a shelf of random books, in a state of disorganized disorderly despair.

After some silent contemplation, the clean up emerged.

Please note the excruciating attention to detail with the end result!

 

Thanks again to Ursus from everyone at Chronicle Books for taking the time to share his exquisite art of tidying and cleaning up with us!

Peter Perez
Associate Director, Marketing

Purchase The Art of Clean Up: Life Made Neat and Tidy

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The Chronicle community is heartbroken over the loss of one of our beloved authors today. Kathreen Ricketson was an incredibly talented quilter, pillar of the online craft community, inspiring blogger, and devoted wife and mother.

Kathreen dedicated her work to fostering community. As she says in Little Bits Quilting Bee, the craft community is about “learning together, sharing ideas, and helping each other.”

Let’s all continue to be inspired by Kathreen. Let’s make stuff and share it. Learn and connect. Tap into the power of craft and creativity to bring us together.

In the spirit of helping each other, an education fund is being created for Kathreen’s children. Follow along at WhipUp.net for more details.

We thank Kathreen for her important contributions to the publishing and craft community. I will remember her for her easy-going attitude, collaborative spirit, and sharp creative vision.

Laura Lee Mattingly
Editor, Lifestyle