Graphic Design
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This authoritative guide outlines everything readers need to know to create gorgeous fabrics. There’s nothing like it on the market!
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The Electric Information Age Book explores the nine-year window of mass-market publishing in the sixties and seventies when formerly backstage players—designers, graphic artists, editors—stepped into the spotlight to produce a series of exceptional books. Aimed squarely at the young media-savvy consumers of the "Electronic Information Age," these small, inexpensive paperbacks aimed to bring the ideas of contemporary thinkers like Marshall McLuhan, R. Buckminster Fuller, Herman Kahn, and Carl Sagan to the masses. Graphic designers such as Quentin Fiore (The Medium is the Massage, 1967) employed a variety of radical techniques—verbal visual collages and other typographic pyrotechnics—that were as important to the content as the text. The Electric Information Age Book is the first book-length history of this brief yet highly influential publishing phenomenon.
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This collection of typographic explorations, arranged by designer intimately reveals how over 90 of world’s leading designers and typographers continually strive to find new and exciting ways of communicating through letters and words. Established designer and up-andcoming talents include Ivan Chermayeff, Carlos Segura, Milton Glaser, Maira Kalman, Bob Aulfudish, Matthew Carter (US), Javier Mariscal and Patrick Thomas (Spain), Erik Spiekermann, Viktor Nübel (Germany), Peter Bilak and Enkeling (the Netherlands), Jean Baptiste Levée (France).
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Screenprinting has moved beyond the gig poster and the tee shirt. Centuries old and made famous by Andy Warhol in the 1960s, the craft is now enjoying a renaissance all over the world as contemporary artists and studios— including Rob Ryan, Alakazam!, and Crosshair, among others—push the creative limits of the medium in their work with textiles, posters, and more.
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Typography is still dominated by letterforms from the first one hundred years of European printing. Where were the processes and attitudes that lie behind these forms?
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There are books on the nuts and bolts of web design and there are books about website aesthetics, showcasing examples of good design. How to Design Websites contains the essentials of both, addressing the skillsets required to produce websites that are functional and elegant but from a graphic designer s perspective.
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Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color.
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Creativity is no longer the sole territory of the designer and other creative professionals. Amateurs are drawn to websites such as Flickr, Threadless, WordPress, YouTube, Etsy, and Lulu, approaching design with the expectation that they will fill in the content.
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In the early 1990s, celebrated graphic designer Paula Scher (Make It Bigger, 2002) began painting maps of the world as she sees it. The larger her canvases grew, the more expressionistic her geographical visions became. Displaying a powerful command of image and type, Scher brilliantly transformed the surface area of our world.
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The definitive work of one of the most important and innovative designers/illustrators/teachers of his generation. Written and designed by Bob Gill.
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Have you ever really looked at a book? The state of being high rewards deep attention, and lots of things can seem really, really interesting. It might be a spot on the ceiling, or an oddly-shaped tortilla chip, or a bit of wood grain.
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Large-scale wall charts were fundamental tools of classroom instruction throughout Europe in the mid-nineteenth and twentieth centuries. Collected here for the first time in one deluxe volume are over 100 of these vintage educational posters—now important relics in the history of science, art, and design.
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
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Communicate in colorful style with these iconic notecards from Pantone, the definitive source for selecting, specifying, matching, and controlling colors.
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Using a combination of explanatory text, step-by-step photographs and classic and contemporary examples, this unique survey brings together over 130 processes involved in creating lettering and applying it to surfaces.
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Advertising is changing fast, in order to hold its own in an ever-changing media landscape. The traditional channels of TV, press and poster simply won't reach some target audiences.
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At last, a mathematical explanation of how art works presented in a manner we can all understand. Kimberly Elam takes the reader on a geometrical journey, lending insight and coherence to the design process by exploring the visual relationships that have foundations in mathematics as well as the essential qualities of life.
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Creativity is more than an inborn talent; it is a hard-earned skill, and like any other skill, it improves with practice. Graphic Design Thinking: How to Define Problems, Get Ideas, and Create Form explores a variety of informal techniques ranging from quick, seat-of-the-pants approaches to more formal research methods for stimulating fresh thinking, and ultimately arriving at compelling and viable solutions.
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How to Be the Best Bubblewriter in the World, Ever!, shows you how to create your own hand-drawnletters. The book contains over 70 alphabets, inspired by everything from hairy monsters to butterflies, insects to ice cream. Each double-page spre...
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Now more than ever, graphic designers need to embrace web and print together. Even though they are two different mediums, they have to work simultaneously to communicate the message. As time progresses we are likely to see more and more media migrate to t...
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The book features over 1300 symbols, organized into groups and sub-groups according to their visual characteristics. Each category includes a short introduction, with expanded captions providing information on who the symbol was designed for, who designed...
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This book is the most comprehensive showcase of three-dimensional letterforms ever written, featuring over 1,300 images of more than 300 projects by more than 160 emerging talents and established individuals and studios including Sagmeister Inc, Vaughan O...
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This unique and fun book contains over 100 original, hand-drawn illustrations of the hairstyles of the rich and famous, from politicians to film stars, dictators to chefs. The meticulously drawn illustrations will show only the hair, leaving you to guess...
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Bibliographic: 100 Classic Graphic Design Books is a compilation of the best design books of the last 100 years. It covers a huge range of materialhistoric titles from pioneering type foundries to the best of recent monographs from today's leadi...
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This book showcases some of the most striking, inventive and subversive examples of the ubiquitous tote. From eco chic to style icon, the featured totes come from a wide range of illustrators and graphic designers around the world, with designs including...
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The beauty of contemporary graphic design is that dozens of movements emerge and re-emerge from view. Yet, too often we are left with only the vague impression that something is going on. To appreciate what that might be requires us to slow down, ignore s...
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Upon publication in 1996, printed matter was labeled an instant classic in the world of design publishing. This beautifully designed visual survey of the career of Dutch graphic designer Karel Martens is a tactile distillation of Martens's unique and pers...
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Ever crack open a can of Chief Oshkosh of Wisconsin, or sample Pabst's Big Cat Malt Liquor? Remember the original St. Pauli Girl, Tennent's bevy of lager lovelies, or Olde Frothingslosh ("the pale stale ale with the foam on the bottom")? Presented alphabe...
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Our all time best selling book is now available in a revised and expanded second edition. Thinking with Type is the definitive guide to using typography in visual communication, from the printed page to the computer screen. This revised edition i...
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The must-read journal on every designer's desk, Dot Dot Dot covers design in the widest possible sense. Steering clear of both commercial portfolio presentations and impenetrable academic theory, it offers intelligent, passionate, and clever writ...
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This visually-led book contains a global selection of the best graphic design studios' work for the fashion industryfrom packaging and lookbooks to swing tags and invitationswith exclusive insights from bothclients and designers. The book reflects the...
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This book gives graphic designers the confidence to do everything necessary to ensure trouble-free, high-qualityprintingto calibrate images; adjust trapping levels; and mix colors that wont print as something that is a complete surprise. It explains s...


