Graphic Design
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How do designers get ideas? Many spend their time searching for clever combinations of forms, fonts, and colors inside thedesign annuals and monographs of other designers' work. For those looking to challenge the cut-and-paste mentality thereare few r...
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Letters are the building blocks of our language, and quite possibly of our consciousness. Written into young minds through constant repetition, letters soon function like water in a fishbowlessential for life, but too familiar to qualify as objects of se...
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Each year the New York chapter of AIGA brings together emerging designers for Fresh Dialogue, a panel discussion thatprovides a forum to present and talk about work, thoughts, and ideas. Designing Audiences takes a fresh look at graphic design...
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The left-field arts journal whose very name promises more to come delivers three issues this season. There arent too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond.
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Jan Tschichold (1902-1974) is considered by many to be the most influential typographer of the twentieth century. A leading voice of the modernist movement, Tschichold oversaw the redesign of the Penguin and Pelican paperbacks in the late 1940s and devise...
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Dot Dot Dot continues to surprise, inform, inspire, and delight readers as it fills in the gaps in design publishing. The acclaimed and wide-ranging journal of visual culture has become an important venue for creative, interdisciplinary journalism...
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As one of the most influential and inspirational graphic designers of the twentieth century, Paul Rand defined modern American graphic design. His iconic logo designs for IBM, UPS, and the ABC television network distilled the essences of modernity for his...
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From the coauthor of the smash success Art of Modern Rock comes its impish sibling, a compact volume ofdynamic rock posters. Filled with classic hits from the original volume plus loads of new material, Art of Modern Rock Mini #1: AZ...
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Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy con...
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The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol, and graphic associations into 75 categories such as crosses,...
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This book explains how graphic designers use computers as a medium to combine word, image, motion, sound, and user interaction for the internet, TV, promos, games, animation, CDs, and exhibitions. Mapping the spectrum of career opportunities created by di...
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In this digital age of computer-generated graphics and typography, it's refreshing to find typographers who still believe in working by hand. No longer relegated to designer's sketchbooks, hand-drawn type has emerged from the underground as a dynamic vehi...
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Available now in a paperback edition, It Is Beautiful...Then Gone presents the celebrated graphic design work of Martin Venezky. This unconventional monograph includes both influential commercial work for the Sundance Film Festival, Reebok, and ...
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Seventy-nine Short Essays on Design brings together the best of designer Michael Bierut's critical writingserious or humorous, flattering or biting, but always on the mark. Bierut is widely considered the finest observer on design writing today. C...
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Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of D...
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The left-field arts journal whose very name promises more to come delivers three issues this season. There arent too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond.
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The AIGA's Fresh Dialogue series brings together emerging designers in annual podium discussions and provides them with a forum to talk about their work, thoughts, and ideas. Fresh Dialogue 7: Making Magazines presents three young publishing gurus...
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The left-field arts journal whose very name promises more to come delivers three issues this season. There aren't too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond.
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The advent of new software and the blurring of disciplinary boundaries have given rise to an entirely new creative categorymotion graphics. Motion by Design is the first combined book and interactive DVD package to present the works of some of the...
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Printed brochures, catalogs, and multi-page documents form the bedrock of many graphic designers' daily practice. Most printed literature is disposable: todays hot communication document is tomorrow's landfill. But the best brochures, catalogs and docume...
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More than a cheap article of clothing, the T-shirt is a portable personal ad, its wearing declaring their political/musical/social affiliations for all the world to see. Since the 1960s the T-shirt has provided a forum for expression, where anti-war sloga...
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Between the classic films of Walt Disney in the 1940s and the televised cartoon revolution of the 1960s was a critical period in the history of animation. Amid Amidi, of the influential Animation Blast magazine and CartoonBrew blog, charts the evol...
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In an age of globalization and connectivity, the idea of "mainstream culture" has become quaint. Websites, magazines, books, and television have all honed in on ever-diversifying subcultures, hoping to carve out niche audiences that grow savvier and more...
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In an age of globalization and connectivity, the idea of "mainstream culture" has become quaint. Websites, magazines, books, and television have all honed in on ever-diversifying subcultures, hoping to carve out niche audiences that grow savvier and more...
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Fresh Dialogue 6: Friendly Fire inaugurates a bold new direction for this popular series of roundtable discussions by emerging designers. The new design is leaner and meanermore like a manifesto than a catalogand ready to inspire.The 62 is a...
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Life in the image world has made us all voracious, if not always deliberate, consumers of visual messages. Easy access to computer graphic tools has turned many of us into either amateur or professional image producers. But without a basic understanding o...
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Now available in paperback, this delightful book spins the history of the information wheel, as inventive and instructive as intriguing, that has been used since the fourteenth century to measure, record, predict, and calculate everything from time and sp...
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Typography Papers is an occasional book-length publication from the Department of Typography at the University of Reading (England) with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Issue 6...
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The journal whose very name promises more to come delivers two issues this season. There aren't too many places to find intelligent, passionate, and witty writing about the past, present, and future of visual culture. Dot Dot Dot, the brilliant journal ed...
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Appearing for the first time in an English-language edition, The Stroke puts forward a genuine theory of writingthat is, the concepts behind letters on the page, whether by pen, pencil, or brush. Concerned not with art calligraphy and beautiful fo...
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The journal whose very name promises more to come delivers two issues this season. There aren't too many places to find intelligent, passionate, and witty writing about the past, present, and future of visual culture. Dot Dot Dot, the brilliant jou...
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Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. In Emigre 69, we acknowledge our sadness in losing one of the great graphic resources of our time by celebrating its...


