Graphic Design

The design profession doesn't produce many larger-than-life figures. Robert BrownjohnBJ, to just about everyone who knew him, and everyone didwas one. His gifts were immense, as were his appetites. Enfant terrible and visionary, he was both. Mick and th...

Designers are quick to tell us about their sources of inspiration, but they are much less willing to reveal such critical matters as how to find work, how much they charge, and what to do when a client rejects three weeks of work and refuses to pay the bi...

An outspoken voice in the world of graphic design for more than twenty years, Paul Scher has developed a worldwide reputation for her bold, modern graphics and her incisive critiques of the design profession....

We all know we're not supposed to judge books by their covers, but the truth is that we do just that nearly every time we walk into a bookstore or pull a book off a tightly packed shelf. It's really not something we should be ashamed about, for it reinfor...

One of our goals in publishing a design magazine is to set Emigre apart from the herd. We want to stay off the beaten path, so to speak, and seek out what lies beyond the obvious. We want to push the limits of design publishing even as we work to survive....

Typography Papers is an occasional book-length publication from the Department of Typography at the University of Reading (England) with a broad international scope, publishing extended articles relating typography to adjacent disciplines....

Typography Papers is an occasional book-length publication from the Department of Typography at the University of Reading (England) with a broad international scope, publishing extended articles relating typography to adjacent disciplines....

Driving beats, coursing rhythms, swaying skirts, and swaggering bandleaders playing deep into the sultry night: Latin music is a celebration of life and sensuality, and nowhere are these essential values better reflected than the dazzling record covers th...

Martin Venezky is not your typical point-and-click designer. While he is adept at operating a mouse, he is just as comfortable cutting and pasting type from old books or collaging found signs or making his own photographs. What results are the unique crea...

It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the wor...

The journal whose very name promises more to come delivers two issues this season. There aren't too many places to find intelligent, passionate, and witty writing about the past, present, and future of visual culture. Dot Dot Dot, the brilliant jou...

Authoritative, eye-popping, and massive, Art of Modern Rock is the first and last word on contemporary concert posters. An art form that has grown hand-in-hand with the independent music scene, heralding small and large gigs alike, the posters have...

This new journal, fast becoming a staple in the architectural community, aims to revitalize, reform, and rebuild the profession by showcasing the work of promising students, young designers, and innovative educational institutions. Each volume addresses a...

Modern Typography, 2nd Edition is a completely updated and revised edition of Robin Kinross's classic survey of European and North American typography since 1700, first published in 1992. In addition to numerous new illustrations and revised text,...

Although grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests th...

In his essay "Style is Not a Four Letter Word," Mr. Keedy looks at the continuing feud in design between style and content, form and function, and even pleasure and utility, and tries to pin down how style got such a bad reputation, and how restoring its...

Before there was Vegas, and long before there was "reality television," there was Times Square. For a century, it has stood as the blazing Crossroads of the World; the sometimes magical, sometimes tawdry, but always spectacular epicenter of American comme...

This new journal, fast becoming a staple in the architectural community, aims to revitalize, reform, and rebuild the profession by showcasing the work of promising students, young designers, and innovative educational institutions. Each volume addresses a...

Kenneth FitzGerald proposes that the objective of design, to create a class of expert professional practitioners, can - and should - only lead to its demise as a specialist profession.Lorraine Wild and Sam Potts respond, separately, to the publicat...

Before dust jackets wrapped every hardcover behind a shield of paper, a book's binding was its only advertisement, and the shelves of bibliophiles were lined with staid leather-bound tomes. Then came the Art Deco designs of Pierre Legrain and Rose Adler,...

Dot Dot Dot is not your father's design magazine -- a high-gloss tombstone with decontextualized, overproduced work by the "usual suspects." Instead, what you'll find is a groundbreaking journal that fills a longstanding gap in graphic arts publish...

Welcome to EMPIRE. Billions drink its sodas, listen to its music, breathe its air, drive its cars, smoke its tobacco, practice its religions, watch its movies, ingest its pharmaceuticals, and benefit or suffer from its policies. Every person, animal, and...

Type Spaces examines pages of books printed and published by Aldus Manutius in Venice around 1500. By measuring the word-spaces, author Peter Burnhill discerns a system of measurement at work and comes up with the surprising suggestion that this pr...

With the desktop publishing revolution of the 1980s, typographic design came within the reach of anyone with a home computer. Since that time, we have seen a boom in the production of new fonts. This book takes stock of what was achieved during this prote...

With over five hundred color reproductions, Graphic Design 20th Century represents a pictorial history of the last hundred years in graphic design. Alston Purvis presents all the significant designers of the twentieth century as well as the many st...

Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? Karlssonwilker inc.'s tellmewhy is the improbable stor...

Peter Saville is arguably the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created desi...

Hong Kong Apothecary transports us to the exotic world of Eastern medicine, a world of oils, powders, pills, and cures for every known ailment from impotency to opium addiction. As peculiar as pink pills for pale people are the packages containing these...

In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and...

To an outsider, the world of ham radio is one of basement transmitters, clunky microphones, Morse code, and crackly, possibly clandestine, worldwide communications, a world both mysterious and geeky. But the real story is a lot more interesting: indeed, t...

This year marks the 100th anniversary of the founding of the national republic of Cuba. To usher in the centenary, Steven Heller and Vicki Gold Levi have collected hundreds of vintage graphics of Cuba from the 1920s to the 1959 revolution. Cuba Style reca...